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August 2014

All for One: for You

By Kristen Roach Thompson, Associate Coordinator, Bluegrass Writers Studio

     I was talking on the phone the other day with a prospective student, Carlos. One of the questions he asked was: "MFA - why do so many people say to get one, and why do so many others say don't bother?"

Downton Apocalypse

By Kristen Thompson, Associate Coordinator, Bluegrass Writers Studio

The only thing better than announcing that your visiting faculty for the spring semester is Maureen McHugh, and that James S. A. Corey is her special guest in workshop, is being able to announce that she's returning for the fall semester.

So it's my lucky day: Maureen McHugh is back for the fall semester and leading another workshop! 

In addition to being an award-winning speculative fiction novelist and short story writer (China Mountain Zhang, After the Apocalypse, The Lincoln Train), Maureen has also speculated things right out of fiction and into the world.

Uncle Walt

By Kristen Roach Thompson, Associate Coordinator, Bluegrass Writers Studio

"Undrape! you are not guilty to me, nor stale nor discarded, I see through the broadcloth and gingham whether or no, And am around, tenacious, acquisitive, tireless, and cannot be shaken away." ~Walt Whitman, Song of Myself

There is a pen one holds, which stabs at the heart of another and lets it know that it is alive and wanting. And there is a pen which, upon puncturing a new vein, finds it cold. Let me be the pen, always, the sharp stab, and never the congealed blood.

Hashtag: Writing the Center Square

By Kristen Thompson, Associate Coordinator, Bluegrass Writers Studio

Truth, Justice, and the Poetic Way

By Kristen Thompson, Associate Coordinator, Bluegrass Writers Studio

 

    In my writing, I often explore injustice, oppression, and the brackish waters of human rights and resilience. Not only major events, but the smaller things, times when things just don’t go right. There are exceptions, of course, poems with more tender sentiments, but most have to do with loss on some level.  I guess that’s the soul of my poems; then I craft the bodies. I’m very concerned with accuracy of form and sound, and making the poem work on multiple levels. I guess you could say I want to do justice to the subject. 

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