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Inside Look

Editing for One Element

By Kristen Roach Thompson, Associate Coordinator, Bluegrass Writers Studio

     As we come to the close of Week Three of the fall semester, most Bluegrass Writers Studio participants have experienced the thrill of having their writing workshopped. They've sat quietly as their class talked about their words - what was memorable and what was questionable. They've gotten written feedback from their peers on what was inspired and what should be retired. And they've gotten comments from their professor, with praise, prescriptions, and potential outlined.

     The list of everything they've learned from critiquing others and being critiqued is starting to grow - so many things to consider! Dialogue, point of view, action, sense of place, pacing, voice, figures of speech, audience. And kaplooey! their brains split wide open.


All for One: for You

By Kristen Roach Thompson, Associate Coordinator, Bluegrass Writers Studio

     I was talking on the phone the other day with a prospective student, Carlos. One of the questions he asked was: "MFA - why do so many people say to get one, and why do so many others say don't bother?"

Downton Apocalypse

By Kristen Thompson, Associate Coordinator, Bluegrass Writers Studio

The only thing better than announcing that your visiting faculty for the spring semester is Maureen McHugh, and that James S. A. Corey is her special guest in workshop, is being able to announce that she's returning for the fall semester.

So it's my lucky day: Maureen McHugh is back for the fall semester and leading another workshop! 

In addition to being an award-winning speculative fiction novelist and short story writer (China Mountain Zhang, After the Apocalypse, The Lincoln Train), Maureen has also speculated things right out of fiction and into the world.

Uncle Walt

By Kristen Roach Thompson, Associate Coordinator, Bluegrass Writers Studio

"Undrape! you are not guilty to me, nor stale nor discarded, I see through the broadcloth and gingham whether or no, And am around, tenacious, acquisitive, tireless, and cannot be shaken away." ~Walt Whitman, Song of Myself

There is a pen one holds, which stabs at the heart of another and lets it know that it is alive and wanting. And there is a pen which, upon puncturing a new vein, finds it cold. Let me be the pen, always, the sharp stab, and never the congealed blood.

Hashtag: Writing the Center Square

By Kristen Thompson, Associate Coordinator, Bluegrass Writers Studio

Truth, Justice, and the Poetic Way

By Kristen Thompson, Associate Coordinator, Bluegrass Writers Studio


    In my writing, I often explore injustice, oppression, and the brackish waters of human rights and resilience. Not only major events, but the smaller things, times when things just don’t go right. There are exceptions, of course, poems with more tender sentiments, but most have to do with loss on some level.  I guess that’s the soul of my poems; then I craft the bodies. I’m very concerned with accuracy of form and sound, and making the poem work on multiple levels. I guess you could say I want to do justice to the subject. 

A Little More Conversation

By Bernie Deville, Bluegrass Writers Studio

     One of the major reasons I am carrying away a cache of fresh thinking from Bluegrass Writers Studio’s Summer Residency at Disquiet International is that I opted  to take one of the extra Tuesday/Thursday morning classes. This was not a real burden on my schedule due to having all my line edits complete before coming to Portugal, and the class itself only met four times though there was homework for every class.

Luso: Portuguese for Portugese

By Bernie Deville, Bluegrass Writers Studio

     I've just gotten back from Summer Residency with Bluegrass Writers Studio, at The Disquiet International Literary Program in Lisbon, Portugal. Disquiet focuses on writers and readings, but they also introduced us to cultural institutions around the city. The Luso-American Society hosted two different talks, and I reserved precious baggage space for one of their magazines that talks about their aims and goals, as well as summer programs for students, which I might be able to spread around Lexington.

Writing on The Wall

By Kristen Thompson, Associate Coordinator, Bluegrass Writers Studio

     In the last few posts, I’ve been reflecting on the selective nature of memory and how songs can play a part (ba-dump tish) in how things link together in our minds.

     I still remember the first time I heard Pink Floyd’s Another Brick in the Wall (Part 2) on the radio. My sister and I were going to spend the night at my aunt Sue’s. After picking us up, she stopped for takeout, leaving the car radio on for us. When she got back in she said, “Oh, this is a good one” and turned the radio up luxuriously louder than it was ever allowed at my house. It was clear this song was to be listened to, not talked over.

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